Choreography? is a word that conjures up images of prissy hippopotami inducing twinkle-toed lovers to prance about in front of backup dancers in popular films which are disdainful of continuity and the intelligence of audiences. For German modern dance teacher Philippina ?Pina? Bausch ? the leader of the troupe Tanztheater Wuppertal and subject of Wembers?s documentary ? choreography, music and theatre were organs of the same living, breathing form of expression. While the original nature of
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